Cesare Brandi (Siena, 8 de abril de Vignano, 19 de enero de ) fue historiador y crítico de arte, ensayista y especialista en la teoría de restauración. Its title was Teoría de la restauración, and its author bore a curious name: Cesare Brandi. 2In those days, it was one of the few books on conservation published. Results 1 – 23 of 23 Teoría de la restauración by Cesare Brandi and a great selection of similar Used, New and Collectible Books available now at.

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In the case of the purenot existential, realityof the work of art, every part reflects, or even ispotentially, the whole work of art. After carefully reading the first ee only five pages longI could hardly understand the line of reasoning. I mean, too challenging. This biographical article about an Italian art historian is a stub.

Some texts are very easy, while others are very demanding.

Un análisis crítico de la teoría de la restauración de Cesare Brandi

Brandi makes this pretty clear, and not just once. I thus duly purchased it.

His proposals had a great influence in the Italian Restoration Letter of and, consequently, in the current practice of restoration around the world. Teoria e pratica del restauro in Cesare Brandi.

Cesare Brandi – Wikipedia, la enciclopedia libre

Member access Login Password Log in Cancel. Create lists, bibliographies and reviews: The istanza storica which can be roughly identified with the historical value of the artwork can take precedence too, as it is the conservator, or the conservation decision-maker, who needs to make a value judgement about the prevalence of one istanza over another:.


From Wikipedia, the free encyclopedia. I found restauracionn very challenging. True, Brandi never really bothered with conservation so much as to write a full-fledged book on the topic as he did on other philosophical matters: Exact name of German article]]; see its history for attribution. Appunti per un manuale di storia e di teoria del restauro. And yet, the results were not much better; in fact, in many cases they were worse, as my analytical skills had grown somewhat sharper.

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These terms are not common wisdom in aesthetics or in other branches of philosophy. This makes the near-cult status that it has achieved all the more fascinating.

In this case, the image is not equivalent branfi formit indicates a more primigenial reality of consciousness, in which representivity and cognitive substance coexist, in one way or another, developing the representivity until the formulation of the image is achieved, the formor by developing the cognitive substance until the concept is defined.

And yet, I was ultimately aware that I was fooling myself: Teoria e storia della storiografiaSeconda edizione riveduta, Bari: The specific requirements or preferences of restauracon reviewing publisher, classroom teacher, institution or organization should be applied.

Cesare Brandi – Wikipedia

For more guidance, see Wikipedia: In his Brandian glossary, Basile Find a copy in the library Finding libraries that hold this item Unfortunately, the dictionary follows the style of the Teoria and takes notions from other works by Brandi, so that it is not always as helpful as it might be advisable. WorldCat is the world’s largest library catalog, helping you find library materials online.

For Brandi, aesthetic value seems to be the criterion that conservation must abide by, in any circumstance. The reader is faced with something akin to an unsolvable puzzle, one that can only be worked out by discarding the pieces that do not fit and distorting other ones by forcefully pushing them into place. In other projects Wikimedia Commons. At one moment, Brandi states that decisions on the removal or preservation of the patina must not be based on taste or open to a variety of opinions:.


Nove studiosi a confronto. Dedicated research may help to alleviate this problem in some cases.

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Would you also like to submit a review for this item? Content in this edit is translated from the existing German Wikipedia article at [[: According to Frank Matero, in fact, this has often been the case in the English-speaking world: Does it mandate that aesthetic value should always prevail or does it mandate that aesthetic value should not always prevail?

Needless to say, if this idea is uncritically accepted, things may become dangerously close to arbitrariness. And yet, in spite of all restauracoon these shortcomings in spite of its obscurity, in spite of its inconsistencies, in spite of its analyzing an obsolete notion of conservationthe Teoria does have a number of sincere followers, including people whom the author of this paper admires, and who are undoubtedly honest and knowledgeable.

Bollettino del Istituto Centrale del Restauro ,