Reynaldo Hahn. À Chloris, for voice & piano (from “Melodies, Book II”). Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter. Reynaldo Hahn. Publisher: Alphonse Leduc. A Chloris (). Publisher. Alphonse Leduc. Category. Soloist(s) and Orchestra. Sub Category. String Orchestra. Reynaldo Hahn: À Chloris. February 26, | Caramoor Center for Music and the Arts. Share this post. From Caramoor’s Vice-President of Programming.
|Published (Last):||2 June 2013|
|PDF File Size:||16.37 Mb|
|ePub File Size:||20.49 Mb|
|Price:||Free* [*Free Regsitration Required]|
Her distinctive, intelligent, warm, bright-sounding mezzo-soprano will be enjoyed by her growing ‘army’ of fans in this rich, romantic repertoire.
No Song is Safe From Us
This song declares itself immediately as a variation on the Renaissance and Baroque tradition of the pastoral song, with its use of the title, “To Chloris, ” Chloris and Phyllis reyynaldo the generic names for pastoral shepherdesses and nymphs in Renaissance and Baroque literatureand the ornamentation in the accompaniment, the repeated trills and turns, also evoke the realm of the Baroque song. Romantic Evening Sex All Themes.
Songs by Reynaldo Hahn. This page was last edited on 18 Decemberat Dame Sarah Connolly mezzo-sopranoEugene Asti piano. Paul Verlaineanother poet whose lyrics inspired many of Reynaldo’s songs, had on one occasion a chance to hear the young composer’s settings reynldo his reynalfo which Hahn entitled Chansons grisesbegun in when Hahn was twelve years old and finished three years later.
The Songs fo Reynaldo Hahn.
À Chloris (Hahn, Reynaldo) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
As a conductor Hahn specialised in Mozartconducting the initial performances of the Salzburg Festival at the invitation of Lilli Lehmann when the festival was revived after World War I.
Many of the hallmarks of Hahn’s music are already evident in “Si mes vers”: Hahn’s family moved to Paris when he was three years old. In Reynaldo composed “Si mes vers avaient des ailes” hahb a poem by Victor Hugo ; it was an instant success when published by Le Figaro.
Hahn honed his writing skills during this period, becoming cchloris of the best critics on music and musicians. How unwelcome death would be, If it came to exchange my fortune With the joy of heaven! Songs of Love Through the Ages. The bass line to the piano accompaniment is generally a procession of stately chords, producing a contrast to the delicate, ornamented treble lines, and the vocal line is in the middle, reynalddo in terms of pitch and of its phrasing, being smoothly lyrical without either ornament or the heavy rhythm of the bass lines.
Martyn Hill tenorGraham Johnson piano. Sexy Trippy All Moods. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hahn had “a special gift” of attracting “important people to his side”. The site is also available in several languages. Hahn in turn deposited the score in the library of the Paris Conservatory, where it was discovered in and given its first performance in InHahn became a French citizen.
Reynaldo Hahn was born in CaracasVenezuela, the youngest of twelve children. They became lovers  and often travelled together and collaborated on various projects. A Century of French Song. The Art of Susan Graham.
Introspection Late Night Partying. All that they say of ambrosia Does not fire my imagination Like the favour reynalso thine eyes. Marc Boucher sings Reynaldo Hahn. Don’t show me this message again. Rainy Day Relaxation Road Trip. In Love with Love. Drinking Hanging Out In Love.
Hahn famously told her: Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. By the age of nineteen inHahn had written many songs about love; however, his worldly sophistication masked shyness about his own personal feelings.
Radio Reynsldo, – It uses one of his favourite devices where the accompaniment is a piano chkoris with its own momentum; over this the voice embroiders an inspired overlay which seems half sung and half spoken, moving with conversational grace between whispered confidences and declarations of love in full voice.